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ENHYPEN: Their 10 best B-sides

The septet have amassed a collection of incredible B-sides that you can’t miss out on.

ENHYPEN. Image: ENHYPEN Official Twitter/X.

Without a doubt, ENHYPEN has taken the world by storm since their 2020 debut. Lucky ENGENEs across the world have been able to experience the members’ talents firsthand at their Fate World Tour. But if you’re unaware of ENHYPEN, their discography may seem daunting, so we’ve picked out some of the group’s best tracks to give you a taste of their excellence.

1.“Attention, please!”

ENHYPEN’s first album is filled with exciting tracks that showcase every side of the boys. “Attention, please!” is just one of the songs that stand out. The pop-punk guitar riffs transport listeners back to the early 2000s. Heeseung’s powerful vocals in the song’s chorus catch you off guard but make “Attention, please!” so addictive that it’ll be stuck in your head for days.

2.“FEVER”

If you don’t already know “FEVER”, prepare yourself to fall in love with the boys’ charms. This sultry R&B track is different from ENHYPEN’s usual youthful concept. Just like a fever, this song will overcome your whole body with its dreamy synths and the members’ soothing vocals. The performances for “FEVER” are just as captivating.

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3.“ParadoXXX Invasion”

Let’s go back to the ‘90s with “ParadoXXX Invasion”. The classic boy band energy of the track will have you swooning. Jay’s “we’re back” is enough to get anyone hyped up, with Heeseung and Jungwon’s adlibs drawing listeners right into the song. ENHYPEN’s natural coolness oozes from “ParadoXXX Invasion”, making this track a must-listen for new ENGENEs.

4.“Not For Sale”

The group showed off their cute charms for “Not For Sale”. The light synths paired with sweet vocals will have you falling in love with ENHYPEN. The adorable choreography, highlighting the members’ charisma, only adds to the listening experience of this track. 

5.“Go Big or Go Home”

This fan favourite is popular for a reason. Produced by LDN Noise, this track is sure to become a Brit-inspired club classic. The EDM/house instrumental transports listeners to a thriving nightclub with its heavy drum and bass focus. And Ni-ki’s deep vocals are such a standout on “Go Big or Go Home”, you’ll forget that he’s the youngest!

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6.“Still Monster”

“Still Monster” highlights ENHYPEN’s growth since their debut in 2020. The more mature sound of the laid back instrumental, mixed with the boys' deeper vocals, makes “Still Monster” a bit different from the group’s usual youthful concepts. The switch between high notes and sultry vocals in the chorus will disarm any new listeners.

7.“Upper Side Dreamin’”

If you’re a fan of refreshing tracks, this one's for you! The track's deep and funky bassline gives it an almost city-pop vibe and will have any listener skipping down the street. The energetic choreography is hard to tear your eyes away from, with the boys highlighting their synchronicity. 

8.“Karma”

If you need to let off some steam, “Karma” is a great song to shout and dance to. Being able to scream “I don’t give a what” with ENHYPEN is a freeing experience to say the least. The rock sound to the track — with its heavy drum beat and guitar riffs — will have you forgetting about your problems instantly.

9.“One In A Billion”

“One In A Billion” will make you feel like you are the star of your own action movie. Being a part of the OST for the group’s incredibly popular webtoon Dark Moon: The Blood Altar, the track is theatrical and gripping. Check out the accompanying music video to get an introduction to the exciting world of Dark Moon!

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10.“Bills”

For fans of lighter concepts, “Bills” is the song you should check out first. The rhythmic guitar backing to the members’ intense vocals perfectly highlights the desperation that the lyrics portray: “Sign on top of bills that are suddenly surging / The right price, I only learned through tears / I don’t wanna let you go / Can we turn back, no time”. 

Which ENHYPEN track got you hooked on the youthful charms of the boys? Let us know in the comments below.

Edited by Gabii Rayner.


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