I went to see Jung Kook at the cinema and, though it was sadly not the real man in person, I learnt a lot in ways I had not expected. And, of course, I was reminded that Jungkook is awesome – but that’s a given, isn’t it?

The Handmaiden (2016) is a story of vengeance, a lifetime in the making.

A director and a painter walk into a cafe. And so begins Hong Sang-soo’s semi-autobiographical Right Now, Wrong Then (2015).

In the spring of 1980 in South Korea, martial law was put in place and Chun Doo-hwan took the title of military dictator after a successful coup d’état.

Director Jeon Go-woon’s feature debut Microhabitat (2017) reflects on what it means to live a happy life and the required compromises to do so.

If you had the chance to create your ideal heaven and live in it as an AI after you die, what price would you be willing to pay?

Past Lives invites us to witness a tear jerker of an adolescent romance that persists all the way into adulthood in the hearts of two childhood sweethearts.

We take a deeper look into the cinematic journey of self-discovery and maturity, set against the colourful and energetic backdrop of Seoul.

The latest movie in the Japanese franchise has been dividing fans and critics alike, but praise has been pouring in for NCT’s YUTA.

Director Kim Mi-young’s A Lonely Island in the Distant Sea (절해고도) serves as a reminder that life in Korea isn’t all the glitzy lights of Seoul.