The Handmaiden (2016) is a story of vengeance, a lifetime in the making.

A director and a painter walk into a cafe. And so begins Hong Sang-soo’s semi-autobiographical Right Now, Wrong Then (2015).

In the spring of 1980 in South Korea, martial law was put in place and Chun Doo-hwan took the title of military dictator after a successful coup d’état.

Director Jeon Go-woon’s feature debut Microhabitat (2017) reflects on what it means to live a happy life and the required compromises to do so.

Past Lives invites us to witness a tear jerker of an adolescent romance that persists all the way into adulthood in the hearts of two childhood sweethearts.